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This album is the alchemizing of Barney’s worlds, both distant and near, spanning generations and continents. It was Merriweather who helped re-acquaint him with the local scene, including Laneous and the members of Hiatus Kaiyote. “It’s not your show, it’s the music’s show that’s what Gary always told me.”Īfter twenty years in NYC and constant touring with the likes of Fred Wesley, Gary Bartz, Dewey Redman and Billy Harper, and stints as music director for pop luminaries Sia and Daniel Merriweather, Barney returned home to Melbourne with his young family.
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Save all the other shit for your solo album.” By the time he returned to the bandstand with Gary Bartz, Barney had learned to play more as a band and create as one entity, rather than trying to shine the spotlight on himself. That was an incredible opportunity for a kid from Mooroolbark, and they were happy with what I played!”įred Wesley once told Barney to “just bubble along, listen to everyone else, really listen. I got to play with Maceo, Pee Wee Ellis, Clyde Stubblefield and Jabo Starks. I learnt so much from playing that James Brown material during my time with Fred. “I ALMOST have the right to talk about funk, because I've played with some of the people who created it. In 1997, after numerous ARIA nominations and Australian jazz awards, Barney relocated to New York to join legendary saxophonist Gary Bartz’s quartet.ĭuring this period he also toured with Fred Wesley and the JB’s, The Josh Roseman Unit and earned a Grammy nomination in 2007 for his work with Groove Collective. Then eventually I got called up by the artists in that whole scene.” So, that’s how I learnt to play, listening to black music from a young age and absorbing it. "The reason I can play this black American music is because I have certain records where I can sing every note, not because some university said you have to learn every note, just because I loved them so much. “The Tune Up album had so much language there that I learnt ‘cause I REALLY listened to it, thousands of times," Barney laughs. When Barney was just ten years old, his brother gave him Miles Davis’s Tune Up, a double LP on Prestige “with a picture of Miles on the front cover in a boxing ring looking all tough." It was changing our very DNA, but we were just digging it ‘cause we loved it we weren't studying it, we were just playing it until we absorbed it.”
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“We were these little kids just lapping it up. He'd be dropping these amazing rarities to us on vinyl,” Barney recalls. “Len used to bring these records to our house. Growing up on the outskirts of Melbourne in Mooroolbark in the 60s and 70s, the McAll family home was just around the corner from Len Barnard, drummer and brother of local jazz luminary, Bob Barnard. Melbourne-based, Grammy-nominated and ARIA winner Barney McAll returns in 2022 with his new album Precious Energy, on Extra Celestial Arts. "a brilliant album, beautiful work"- GILLES PETERSON “ Barney is one of my favorite pianists, that’s why he’s been in my band for the last 20 years” - GARY BARTZ "like drowning in honey.an incredible album". ‘Like a dream’: Barney McAll recruits Hiatus Kaiyote and it’s geniusīarney McAll Is at His World-Class Best on ‘Precious Energy’
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***** NOTE- I HAVE ORDERED A REPRESS OF THIS ALBUM AS ALL THE COPIES SOLD ALMOST IMMEDIATELY! PLEASE FEEL FREE TO ORDER - NEW PRESSINGS ON THIER WAY! THANKS EVERYONE XXX